這是我們在2017年為美國紐約大學的學妹寫的一篇電影學論文代寫的範文。文章主要介紹了西部電影描繪了一個什麼內容。比如西部電影的主角通常是牛仔，槍手和獵人。這種類型的電影最早在19世紀末開始出現，並在20世紀30年代得到廣泛的普及。
Western movies depict the conquest of the wild land and the subordination of nature in the name of civilization. The protagonists of western movies are usually cowboys, gunfighters, and hunters. This genre of films was first put on the screen at the end of 19th century, and gained widespread popularity in the 1930s. In the following decades, western films have kept developing and showed a trend of becoming increasingly realistic.
西部電影中主角形象變得更加真實。西部經典電影常常將他們的主角描繪成偉大的英雄，他們可以是流浪者或牛仔。例如，在上世紀60年代的西部電影“壯麗七號”中，七位主角是僱傭的槍手，以保護村民免遭一群數量更大的盜匪襲擊。
Western films are turning more realistic in the images of the protagonists. The classic western films, as we know, portray their protagonists as great heroes, who can be wanderers or cowboys. Heroes always save people in need from the gangs. For instance, in the Magnificent Seven, a western film in the 1960s, the seven protagonists are gunfighters hired to protect the villagers from a gang of bandits who are much larger in numbers. They fight bravely against the bandits. But unlike conventional western films where heroes always win in the end, four of the seven gunmen get killed in the end. Their images have changed from invincible heroes to more realistic characters who both win and lose in the battle.
最後是結尾部分的conclusion總結，指出美國西部電影已經以各種方式變得現實。 影片中的主角們從偉大的英雄到普通人，人物之間的關係也漸漸不太具有傳奇色彩。
To sum up, western films in the US have become realistic in various ways. The protagonists in the film develop from great heroes to more normal people in their images; the relationship of characters are less legendary but set in a more detailed background; and the landscape of the film changes from wildness to more beautiful views.
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